Julia Sullivan makes objects that carry the quiet logic of line and form. Before anything is cast in metal, it is first shaped through careful marks, organic rhythm, contrast, and pattern. These studies become the language from which the work emerges.

Making is a way of thinking; drawing is not separate from jewelry, but part of how the work comes into being. Shaping wax and metal is a continuation of visual inquiry, not in search of novelty, but clarity. The studio is a place of steady attention and slow work.

She teaches this same way of working in small workshops — inviting others into a gentler pace, hands engaged, attention focused, curiosity uninterrupted. Students leave not only with an object, but with a deeper trust in their own creative process.

The name RA HA is drawn from one of the faces of the Egyptian sun god Ra — a reference to light, presence, and the body as a site of meaning. This jewelry is meant to be worn, lived with, and returned to over time. It sits easily in daily life, but reveals itself the closer one looks — in its curves, surfaces, and the way it catches the light.